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X-WR-CALDESC:Events for Taller Puertorriqueño
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DTSTART;TZID=America/New_York:20260328T130000
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DTSTAMP:20260403T163535
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SUMMARY:Jorge Luis Rodríguez: The Playing of the Music Boxes - Featuring Timbalona Collective 
DESCRIPTION:LEARN MORE ABOUT THE SHOW\n\n\n\n\n\n\nThe Event  \n\n\n\nThe Timbalona Collective is a dynamic percussion ensemble rooted in the vibrant traditions of Afro-Caribbean and Latin American folk music. This performance will realize Jorge Luis Rodriguez’s long-held dream of seeing his sculpture series\, The Music Boxes\, played as musical instruments. \n\n\n\nFull Name *Email Address *How many people are attending with you?Just me1 more person2 more people3 or more peopleRegister\n\n\n\nThe Sculptures \n\n\n\n Created in 1981 while Rodriguez was a resident artist at the Studio Museum in Harlem\, the Cajas musicales are crafted from welded steel and deeply influenced by African Art. Each of the eight boxes is distinct\, possessing its own unique aesthetic and resonance. Rodriguez’s work has always been experimental\, pushing the boundaries of modernism and redefining our understanding of sculpture. Join us for this inaugural event—45 years in the making. \n\n\n\nAbout the Artist \n\n\n\n Rodríguez is a pioneering multidisciplinary artist whose career bridges minimalism\, site-specific installation\, and Afro-Caribbean cultural expression. After moving from Puerto Rico to New York in 1963\, he absorbed the city’s emerging art movements—minimalism\, optical art\, and environmental art—before “abandoning the canvas” in the 1970s to pursue sculpture. Following his studies at the School of Visual Arts and New York University\, he developed a visual language that fuses formal precision with symbolic and cultural depth. His early works\, shaped by the alternative art scenes of Harlem and SoHo\, reflect a growing dialogue regarding culture\, modernism\, and art in public spaces.
URL:https://tallerpr.org/events/musicboxes/
CATEGORIES:Exhibitions Program
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DTSTART;TZID=America/New_York:20260328T140000
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LAST-MODIFIED:20260327T184721Z
UID:10000277-1774706400-1774713600@tallerpr.org
SUMMARY:2749 Social Cartography: The Photo Archive of Decolonial Ecology LAB
DESCRIPTION:FREE RSVP BELOW\n\n\n\n\n\n\nA participatory workshop by Caterina Pecchioli\, in collaboration with Amy Diaz Newman \n\n\n\n28 March 2026 | 2– 4 pmTaller Puertorriqueño\, 2600 N. 5th Street\, Philadelphia\, PA 19133 \n\n\n\nThe Social Cartography Lab invites photographers\, artists\, activists\, and the public to collectively reflect on the relationships between humans\, non-human life\, and the environment across cultures\, exploring the interdependence of colonial histories and contemporary ecological challenges. \n\n\n\nFull Name *Email Address *How many people are attending with you?Just me1 more person2 more people3 or more peopleRegister\n\n\n\nPart of the “We Will Not Hide” program\, the workshop amplifies the voices of historically marginalized people and focuses on alternative ecological visions and practices of climate resilience that challenge dominant narratives. \n\n\n\nThrough image-sharing\, storytelling\, and collective listening\, participants will contribute to the Photo Archive of Decolonial Ecology\, an evolving collaborative resource that will inform future artistic outcomes\, including an interactive cartographic platform and a textile-based speculative artwork imagining Earth in 2749. \n\n\n\nParticipants are invited to bring one or more photographs (printed on paper) that explore: \n\n\n\n\nSpiritual or symbolic ties to nature\n\n\n\nSituated knowledge related to water and land\n\n\n\nEnvironmental and social transformations due to colonialism and migration\n\n\n\nActs and practices of resistance\n\n\n\n\nThe workshop includes moments of collective reflection and discussion\, exploring connections between personal histories\, environmental change\, and practices of resilience. \n\n\n\nAbout the artists\n\n\n\nCaterina Pecchioli is an Italian multimedia artist working at the intersection of art\, research\, participation\, and social practice.  Her work explores the relationships between individuals\, society\, and structures of power\, and how these shape collective memory\, environmental narratives\, and social dynamics\, through participatory and decolonial practices. Since 2015\, she has developed collaborative projects that use art as tools for social inquiry and collective action. She is a co-founder of Nation25 and other interdisciplinary platforms addressing migration\, environmental issues\, and cultural exchange. Her work has been presented internationally in museums\, festivals\, and public spaces. www.caterinapecchioli.com – www.nation25.com – www.bwblackwhite.org Instagram: @catepecchioli \n\n\n\nAmy Diaz Newman is a Philadelphia-based artist and art educator. Currently a faculty member of Abington Friends Upper School\, her artistic interests include Pre-Columbian art and history\, community arts collaborations\, and screenprinting in all forms. She has exhibited work at Taller Puertorriqueno\, Abington Arts Center\, The Woodmere Museum\, and Fleisher Art Memorial\, among other local venues. She has partnered with The Woodmere Museum on teacher education. \n\n\n\n\n\n\n\n“2749 Social Cartography: The Photo Archive of Decolonial Ecology” is a project by Caterina Pecchioli. The research project is supported by Strategia Fotografia 2025\, promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture. Co-funded through the Fourth Century Center Research and Design Fellowship. Cultural Partners: Abington Friends School (AFS)\, Museum Boijmans Van Beuningen\, IUAV University of Venice\, Sale Docks\, Thami Mnyele Foundation.
URL:https://tallerpr.org/events/social-cartography/
CATEGORIES:Exhibitions Program
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